Over the Rainbow: Your Life’s Purpose

An illustration I did for a notecard as a gift for Maria Shriver's 50th  birthday.

This illustration graced notecards I did as a gift for Maria Shriver’s 50th birthday.

“The two most important days in your life are the day you are born and the day you find out why.” – Mark Twain

Everyone’s life has a calling. We all come here to fulfill a sacred duty. I am an artist. For as long as I can remember, I’ve been creating things. My aunt recalls me, at age three, playing with a handkerchief for hours. I would fold and form it into different props for my land of make-believe. Although I came here with special talents, I now know they’re not the reason for my existence. My artistic ability is woven through the fabric of my soul to support and help manifest why I was born.

What is a calling? It is different from your talents? Your gifts, personality, and brain power are all part of the intricacies of your soul, set in place to help support your life’s purpose. In the Bhagavad Gita this purpose is referred to as your dharma. It is our soul’s mission, the reason we were born. How do we find our vocation? One thing is certain, although clues may come from the outside, the concrete knowing always come from within.

For a good portion of my life, I assumed my mission was to be an artist. Didn’t the skills I brought to Earth clearly indicate that? But after reading Stephen Cope’s illuminating book, The Great Work of Your Life, I discovered that my gifts are only a finger pointing to my dharma.  He explains, “If you bring forth what is within you it will save you. If you do not it will destroy you.” Reading that set me on the path of digging deeper to uncover what I am here to fulfill. I knew I had a talent for capturing the spirit of children in my drawings and paintings.  I love the whole process. But upon further examination, I came to the conclusion that this just scratches the surface of my true lifework.

A portrait where I was able to capture my subject’s beauty and essence. Clare is a favorite  painting of mine.

A portrait where I was able to capture my subject’s beauty and essence. “Clare” is a favorite painting of mine.

In an email from singer/song writer Rodney Crowell, I found my answer, “I notice things in your work I love about Renoir’s. Seeing soft beauty in the commonplace. Heaven on Earth if you will.” That’s it! I see the allure in the ordinary and reflect it back to my subjects and the world. I do that in my writing, too. We are all here on earth with the longing to be validated. There is not a heart that doesn’t yearn to be seen and loved for itself. In a society saturated with celebrity glitz and glam, my creations celebrate the extraordinary in the ordinary.

Does everyone have a calling that includes an obvious talent? I don’t think so. My sister Ann owned a cleaning business. And no, she didn’t have a passion for cleaning. Over the years, she discovered what filled her cup was to be of service. Explaining the new found contentment in her job she told me, “I clean toilets for a living. I had to figure out a way to find meaning in that. I realized my cleaning and organizational skills were a gift to my clients. When I began focusing on helping others, everything flipped.” Ann had claimed and named her dharma. After her epiphany she couldn’t satisfy all the requests she garnered for her services.

Not in Kansas Anymore

We are all put on this planet with a mission to actualize. I suspect every heart is heavy that has a song in it that’s left unsung. With all of our culture’s frenzy it is easy to overlook our unique gifts and what they were given to help us manifest. Once we answer the call of our life’s purpose, there is no going back. We feel more alive. We go from the mundane to Technicolor. Like Dorothy from The Wizard of Oz, we realize that we no longer live in the grey of Kansas but have landed in a world of living color. And along with challenges, we discover a place of truth and beauty.

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Text and images © Sue Shanahan. All rights reserved. www.sueshanahan.com

Being Beautiful is Not a Profession

I learned very young that a woman’s power came from her looks. Specifically, my beauty, or lack there of, was how my worth was measured. The straightness of my nose and thickness of my eyelashes were important but useless if I wasn’t skinny. Tall and sturdy for my age, I took on the onus of “the fat kid” long before the title fit. My mother, with her movie star looks, was ashamed of me. She saw me as extension of herself.

My first attempt at weight loss was in the fourth grade. I had the brilliant idea of slicing my stomach with a razor and squeezing the fat out. Of course, I never could go through with it.  Every night as I lay in bed, the success of my day was measured by how little I ate. The obsession to be thin had already taken hold.

When puberty hit, my weight soared out of control. The pressure to be perfect was overwhelming. I looked at the models in Seventeen magazine and knew I could never measure up. It wasn’t until years later that I learned the models didn’t measure up either. They had been airbrushed to flawlessness in their photos.

When I turned sixteen, my mother typed a rite of passage letter to me and signed it with, “Love, Mom.” What struck me the most in it was her advice to “marry a man who is going places and will take you with him.” I had learned the only bargaining tool to hitch that ride was my looks. And what I saw in the mirror told me I was doomed. I decided I’d better develop my talents.

My story does have a happy ending. At 23, I married a man who loved me just the way I was. Whenever I questioned how he could be attracted to me he said, “beauty is in the eye of the beholder.” I thought that was his way of saying I love you in spite of how you look. Today I know better. My husband was way smarter than the media gave most credit for. He could see past the images that beauty advertisements were trying to force down our throats. After 34 years of marriage, he still loves my soul and my own brand of gorgeous that encapsulates it.

Over the years, with a concentrated effort, I’ve undone much of the damage to my body image. Movies like Miss Representation have helped. Most recently a wonderful blog post by Kasey Edwards affirmed my belief that the way most women see their bodies is an illusion. Our perception has little to do with how the world sees us.

I’ve come to peace with my mother and her inability to accept the body I was born into. I see now that like me, she was a victim of “lookism.” Born in the 1920’s, a bride in the 1950’s, she was a product of our culture. In her own convoluted way, she was just trying to keep me safe. She was passing on the societal expectations she had learned from her own mother.

Yes, at times, I still fall back into feeling horrified by the way I look. Recently, I saw a picture of myself that made me cringe. Instead of taking the feelings to heart, I now compare them to how I feel hearing a recording of my voice. Like most people, I don’t like the way I sound, but don’t take the foreignness of it to mean I’m flawed. In the same way, I no longer take my reaction to a photograph of myself to heart either. It doesn’t mean anything. My initial discomfort doesn’t stem from how I look but comes from the disconnection I feel of looking at a shell. The “real” me is formless.

Our world is evolving and so am I. The best gage of my self-acceptance is my daughter and the women my sons chose to marry. All three are stunning, accomplished women. They exude self-confidence and embrace who they are. No matter how thin or pretty, they would never think to add the superficial to their list of achievements. They where brought up knowing their power isn’t on the outside but lies within, being beautiful is no longer a career path.

After seeing my art on the Oprah Winfrey Show, Annie commissioned me to illustrate the above portrait of her as Glinda the Good Witch and her daughter as Dorothy. She wanted her little girl to know she had the power inside herself to make her dreams come true.

After seeing my art on the Oprah Winfrey Show, Annie commissioned me to illustrate the above portrait of her as Glinda the Good Witch and her daughter as Dorothy. She wanted her little girl to know she had the power inside herself to make her dreams come true.

My mom (second from left) at a luncheon shortly before she married my dad.

My mom (second from left) at a luncheon shortly before she married my dad.

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All text and images © Sue Shanahan. All rights reserved. www.sueshanahan.com

Always Had the Power

You’ve Always Had it My Dear. You’ve Always Had the Power. Glinda the Good Witch
Always Had the Power

In 2000, I was lucky enough to sell the original painting from the above image to Oprah Winfrey. A series of small miracles brought the piece to her attention. After she purchased it, an even bigger miracle occurred. I was invited to be on her Favorite Things show. I was thrilled with the prospect of what her spotlight on my illustration could bring. Looking for approval of my artwork from the world had become a pattern with me.

It turned out the message in my painting was not only for Oprah. Although I was unable to grasp it at the time, it was also meant for me. Of course, I understood why Oprah took so much significance from Glinda the Good Witch’s words, “You’ve always had the power.” She had just won a defamation suit filed against her by Texas beef producers.  It took many years and reading Jean Houston’s The Wizard of Us before it dawned on me that I hadn’t been honoring my own power. I recognized myself in the Scarecrow’s search for brains. I was also waiting for the world to tell me what to do. The Tin Man asking the Wizard of Oz for a heart was no different than me not acknowledging and trusting my own. The lion’s quest for courage was his belief that he didn’t have what it took to be king of the forest. Didn’t that parallel my belief that my art couldn’t stand on its own? What I learned from Dorothy was the most meaningful. The power to realize one’s heart’s desire lies within.

Creating art is revealing one’s soul to the world. Unconsciously I believed if my gift wasn’t celebrated, I had no value. Seeking validation from the outside is like trying to fill a cup with a hole in it.

All my striving to make it as an artist has brought me to this realization. Yes, it’s scary to be exposed, but who I am is enough. My art is enough. The light that burns inside of me is enough.

The image of Oprah that I based my portrait on.

The image of Oprah that I based my portrait on.

Not many people know that Dorothy’s shoes were silver. In the movie they were transformed into the ruby slippers because they looked better In Technicolor.

Not many people know that in L. Frank Baum’s book the Wizard of Oz, Dorothy’s shoes were silver. In the movie they were transformed into ruby slippers because they looked better In Technicolor.

In my painting I tried to remain faithful to L.Frank Baum's description of Glinda the Good Witch.

In my painting I tried to remain faithful to L.Frank Baum’s description of Glinda the Good Witch.

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Text and images © Sue Shanahan. All rights reserved.