Dolly Parton: Dreams Begin in Books

 

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“Inspiring kids to love to read became my mission.” – Dolly Parton

I waited over six months for my phone interview with Dolly Parton. When we finally spoke, it felt surreal when she said in her familiar twang, “Is this a girl named Sue?” Talking to this American icon was like having a conversation with someone that I intimately knew but had never met. When she asked me what book I was reading, I told her I would get to that at the end of the interview. With only 15 minutes allotted to question her, I wanted to make sure I didn’t run out of time.

Most people are familiar with Dolly’s multifaceted career. Truth be told, she is almost as well known for her looks as she is for her singing and songwriting. She jokes that “It takes a lot of money to look this cheap.” Her fans have always seen right past the superficial and connected to her heart. And she has a huge one. 

One of Dolly’s proudest accomplishments is one of which many devotees are unaware. Inspired by her father’s inability to read or write, Dolly established her Imagination Library program for children living in the county in which she grew up. Her vision was to foster a love of reading among preschoolers by mailing them a specially selected book each month. Today that program spans four countries. Since its inception in 1995, it has given away more than 133 million books.

Dolly’s love of books began with her mother reading her the Bible as they cuddled. She was the fourth child born to her parents, Avie and Robert. Dolly and her eleven siblings were raised in a one room cabin in the hills of East Tennessee. What her family lacked in material things, they made up for in love.

Knowing of Dolly’s spirituality, my first question to her was whether she thought her childhood was illustrative of the Bible verse, Romans 8:28. “And we know that all things work together for the good to those who love God.” On the surface, her father’s illiteracy denoted adversity, but it could be looked upon as a gift in disguise. I wanted to know, had he been able to read, would there be an Imagination Library?

“You know what? That is a very good point! And it is so strange that you quoted that scripture. I swear to you that today I was looking out the window and I was thinking of that very scripture, and for you to repeat it is very odd. But you’re right – if Daddy had been able to read and write, the Imagination Library probably would not have happened.”

Watching her father struggle deeply affected Dolly. She remembers her mother having to sign her school papers because her father was too embarrassed to try and scribble his name on them. Creating a program to support literacy was the best way she could honor him. Robert Parton was prouder of Dolly’s Imagination Library than of any of her other accomplishments. He loved that children referred to her as the “book lady.” 

“We thought Daddy was the smartest person in the world, and he was! That’s why I think the Imagination Library meant the world to him. It gave him an outlet. He really had wonderful ideas and input for me because he knew how it felt not to be able to read. We were never ashamed of Daddy. He was sometimes ashamed that he couldn’t read and write but we never made him feel like that ‘cause he was the best.” 

Her father’s illiteracy wasn’t the only thing working together for the good in Dolly’s life. In many ways, growing up poor was the perfect setup for her to be the “book lady.” The struggles of her childhood made her keenly aware that not having books in the home often translated into feelings of unworthiness. A child may be brilliant, but without being read to, they will be behind in school. Part of her Imagination Library’s mission is for all children to know that they matter. One of her most famous songs, The Coat of Many Colors, is about her experience of not fitting in when she was a grade schooler. She feels fortunate to have been surrounded by a love that softened the blow.

“Having such a loving, accepting mother made us all feel special. All little kids were special in our world. If I hadn’t had the good mother I did, ‘The Coat of Many Colors,’ and all the things that we do for kids probably wouldn’t have happened. So I do think that life can be part of a pattern for good for those that do believe.”

Because she is such an advocate for children, it is a little surprising that Dolly and her husband, Carl, never had any of their own. Although, if you look at it from a higher perspective it makes perfect sense.

“I have thought about that often through the years. If I had had children of my own, I probably wouldn’t have been able or willing to be as devoted, and spend as much time with other peoples’ children. So I really do think that was meant to be as well. That, you know, we didn’t have kids so everybody’s kids could be mine.”

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I painted this in 1999. The girls in it were supposed to represent a young Dolly and Oprah. I knew that, like me, books had been the launching pad for their dreams.

Without being exposed to books, it’s hard to say if Dolly’s career would have unfolded as it did. Books fueled her imagination. They showed her a world that she wouldn’t have known existed without them. She credits them for helping her to dream a bigger dream.

“As a child I loved books. You know, I don’t ever remember learning to read. It just seemed like I always could. Because we were poor and there were so many of us, we didn’t have books outside of the Bible. I used to love the smell of books, the touch of books, and the pictures that I saw in books. I was so fascinated about the world beyond the mountains and just what all that was about. I think books really trigger the imagination of a child. I mean, what could be more exciting than the things that pictures and words can create in a child’s mind?”

Over the years, Dolly has learned that books do more than educate and entertain her. Reading makes an opening for the light to come in. By absorbing the author’s creativity she fuels her own.

“When I read, I think, ‘Oh my gosh! How did they ever think of that?” I’m just amazed at the gift that God has given them. When something they’ve written touches me I think, ‘I hope I can do that with my writing.’ I really try to get into what they’re thinking and where their heart is.”Dolly-Parton-Childrens-Album450A big part of Dolly’s success is her ability to see life through the eyes of a child. In 2017 she used that gift to make a children’s album, “I Believe in You.” All of its proceeds benefit her Imagination Library. On the cover she is pictured in a blue gown with butterfly wings. Butterflies carry a special significance for her. She still recalls wandering off and chasing them in the fields when she was young.

“I always loved butterflies! They were so beautiful and seemed so harmless. They’d just flit around, and I kind of related to them in my own personality, I think. Just trying to be colorful and gentle, and curious. You know the metamorphosis of a caterpillar to a butterfly is something I identify with. Come out of your shell and shine. Be all the colors you can be! I’m a girl of many colors.”

With that last answer, Dolly was being summoned by her team. My fifteen minutes with her were up. Before disconnecting, I answered her question about what I was reading, “Right now the book on my nightstand is a biography of Joan of Arc. She was a true, true badass. Her connection to God gave her the strength to do what she felt called to do. Kind of like you, Dolly.”

She laughed, “Lord, I’m no saint! I’m a scoundrel and a saint. I don’t claim to be anything other than a person that’s trying to do as much good as they can. I’m more like the ‘Little Engine That Could.’ I thought I could. I thought I could, and I did!”

That must be all it takes. One little, colorful person sharing their light with another and then another and then another…. And before you know it the whole sky is lit up.  

*Watch Dolly read “The Little Engine that Could” on “Goodnight With Dolly.”

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*Coming up next: Grammy award winning, singer-songwriter, Brandi Carlile

Text and artwork © Sue Shanahan

All rights reserved. www.sueshanahan.com

Kirsty Mitchell: A Wonderland of Her Own

Kirsty Mitchellmoth_edited-2“For me being an artist is getting out what is inside of me.”- Kirsty Mitchell

I first heard of Kirsty Mitchell when a friend invited me over to look at her Wonderland book. Mary was obsessed with it and was sure I would be, too. Being unfamiliar with Kirsty’s fine art photography, I dismissed her offer. I already had put Kirsty’s work in the same category as some of the digitally altered, fantasy photographs that I’d seen on the web. Finally, at Mary’s insistence I looked up Kirsty’s website. I was awestruck. Her otherworldly photographic series, and book, Wonderland floored me. She had begun the project in 2008 after her mother, Maureen, died of cancer. Immersing herself in its creation was Kirsty’s way of working through her grief. Each exquisite image encapsulated a kind of raw emotion. Absolutely no Photoshop was used to fabricate the magic in her pictures. I couldn’t believe mortal hands were responsible for all the elaborate costumes and props. What the viewer sees is the same thing Kirsty saw when she clicked the camera’s shutter.

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The next month when Mary asked me to take a road trip to see an exhibit of Kirsty’s art at the Paine Museum in Wisconsin, I was immediately in. The museum was also hosting a dialogue with Kirsty the evening the exhibit opened, and we planned to attend. I had fallen into the Wonderland series headfirst. I had to see the photographs in person, meet the artist and get my book signed. 

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An awestruck viewer at the Paine Museum

At the question and answer session, I soon realized that Kirsty and her art are one and the same. She is totally transparent. There are no details of her life that she won’t share. I felt a deep connection to her personally. I understood how she used her art to work through her difficulties. I had done the same thing my whole life.

“I was doing something because it was coming out of me and I just had to follow that calling to see where it would lead me.”

After losing her mother, Kirsty became consumed with making something beautiful in her memory. She confessed to being shattered. That vulnerability is what endears her audience to her. Wonderland is healing to anyone who has suffered a loss. When Kirsty began the series, she was in the midst of a successful career as a fashion designer. As a photographer, she was an amateur at best. For seven years, she worked tirelessly creating sets and costumes to photograph. She had no idea why she was driven to bring this alternative existence to life or where it would take her. All Kirsty knew was if she didn’t express her grief in this tangible form, she could’t go on.

During the journey of making of Wonderland, she had the good fortune of a friend putting her in touch with an “old school” gallery curator. It was a pivotal point on her artistic path. He wanted to know if the photographs Kirsty brought to him were her best work? He made it clear that he didn’t believe so. At his suggestion, Kirsty took a year away from social media and put her heart into creating a small group of images.

“And so I did it. I went cold turkey. I was really frightened that no one would remember me. In that year away I made what is known as the ‘White Queen Trilogy.’ When I came back and I released those pictures is when everything changed. Everybody just sat up and was like, ‘What the hell is this? This is something totally different.’ You know, you have to labor over something if you want people to trust and believe in it and see who you are through it. That’s why following your passion is so important. If your heart’s not in it, how are you going to give it all you’ve got?”

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The White Queen Trilogy

“Nature is intrinsic in my work, inseparable. It’s my inspiration. The woods are my church.” – Kirsty Mitchell

Kirsty admits to being an “insufferable perfectionist.” Shooting outdoors meant she had to come to terms with the unpredictable weather conditions in England. She and her production team took days off of work whenever a photoshoot was scheduled. Rain or shine, there was no turning back. Kirsty discovered that no matter what the day brought weather-wise, it always gave an unexpected beauty to her photographs. She links this to the energy of her mother. Amid all the little glimmers and changes in the atmospheric conditions, they always felt an undeniable presence with them.

“There is this thing. I worked with a very tiny team of people. There is my husband, Matthew, Elbie the amazing make-up artist and hairstylist, and Katie the model. And then there’s this other person – my mum and she does the weather. I have this mantra, my mum does the weather and we embrace whatever is sent to us. There’s always a reason.”

Kirsty’s spiritual leanings evolved through her mother’s illness and came into focus after her passing. Kirsty’s belief that we are all energy is reflected in her photography sometimes unconsciously, sometimes deliberately.

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Gaya the Birth of an End

“There is one picture in the series where I tried to put that into an image. Gaya the Birth of an End was about me trying to create an image that explains the power of the release of the human spirit, how we are this wheel, these vibrations. If you throw a stone into a lake, the stone is gone, but the vibrations continue. In the same way the circle of life has sort of vibrations that go out, but come back into somebody. People may leave you physically but not in other ways.”

Behind the scenes, Kirsty is certain she had help creating every aspect of Wonderland. She sees her mother’s love as an equal partner in the venture. If Maureen hadn’t taught her daughter to dream and embrace who she was Kirsty may have never become an artist. That same love was the alchemy required to transform the biggest tragedy of her life, the passing of her mother, into a masterpiece. 

“When I lost my mum, I had nothing to cling too. I felt like a kite whose string had been cut. I just felt weightless and lost for so long and then suddenly one day I began just walking in the woods. I just can’t explain it. I began to feel this kind of vibration from the land. I remember the day that it happened and I remember sitting on the forrest floor with my back against a tree trunk, just sobbing and crying. I guess that’s why creating the series became such a therapy for me. I felt like I was in my mum’s arms every time I was in the woods creating this stuff.” 

Kirsty’s Wonderland book was published to huge acclaim in November 2015. Since that time, its popularity has snowballed. In 2018, the first major museum show of Wonderland opened at one of the world’s most important museums of contemporary photography, Fotografiska in Stockholm, Sweden. The exhibition will continue to tour at Fotografiska’s sister venues in London and New York over the next two years.71GRjTMBMQL71hZymDy1wL

Since her monumental book was published, life continues to take Kirsty down unforeseen paths. On Christmas Eve of 2015 she gave birth to their son, Finch. Shortly after that she was diagnosed with breast cancer. She went through treatment and today is cancer free. It seems like a natural for her to, once again, turn straw into gold.

“I’m so excited about being able to connect with people again through turning my personal story into something beautiful. In this new project, I am a completely different woman. I’m now a mother. I gave birth to my son, and then faced my own mortality all within eight months of each other. Where Wonderland was a kind of escapism, in my new series I want to stand with feet firmly planted on the ground and face all the emotion I went through.”

Today Kirsty is immersed in the production of a new series of photographs. Once again she has stepped back from the social media front. She imagines these images will take two to three years to complete. She envisions producing 45 pieces versus the 75 that she did for Wonderland. “I want to make the most beautiful, extraordinary, costumes and sets and bring the quality level up again, raise the bar again.”

There is not a doubt in my mind that Kirsty won’t bring her intention to fruition. Look out world. Prepare to be wowed. Again.

*In my painting the pink magnolias woven around Kirsty symbolize beauty and perseverance. The forget-me knots signify love and remembrance. They are, of course, for her mum. The greenfinch represents her son, Finch. Kirsty recognized its significance immediately.

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*Coming up next: American singer, songwriter, and multi-instrumentalist, Valerie June

Text and images © Sue Shanahan. Wonderland photographs ©Kirsty Mitchell

All rights reserved. www.sueshanahan.com

Mary Engelbreit: So Much More Than Cute

Mary Engelbreit-Final-Edit-Edit-Editmoth_edited-2For my mother, who always told me anything was possible. – Inscription from, Mary Engelbreit: The Art and the Artist

Mary Engelbreit is one of my all time favorite artists. I’ve been a fan of her art since my early twenties. Not only was I attracted to her illustrations, but I connected to the thought provoking quotations she incorporated into them. Those hopeful words were beacons of light to me. Mary felt like a wise friend pointing me in the right direction. Once, I waited in line for six hours to have prints and cards of her’s signed. After I gushed on and on about my love for her art, I showed her a print of my detailed fine art painting that Oprah Winfrey had bought from me. She looked at me quizzically and said, “You like my art?” I assured her I did and told her what a great marketer she is. “That I am,” she answered wryly.

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This signed print hangs in my studio. Mary’s message to me, “Believe, Sue! “

Hailing from St. Louis, Missouri, Mary is best known for her greeting cards, calendars, children’s books, and giftware. At one point she even licensed a series of dolls based on characters from her drawings. Her images are described as nostalgic and cute (“Nothing wrong with cute,” says Mary). 

For over 40 years she has produced images without any guidelines for her art licensing company. Mary feels fortunate that she has always been able to draw from her inner impulses. As a rule, she never follows the market trends. Although her licensing company did begin producing adult coloring books when they came into vogue. To that she said, “We aren’t stupid.”

Mary’s childhood was the perfect launching pad for her to make a living illustrating the world as she sees it. She grew up under the loving gaze of parents who believed in her talent. Her light was allowed to shine from day one. Her mom and dad never questioned her plan to become an artist or what that actually meant. All they knew was that Mary’s dreams were sufficient to earn their respect. She had a passion for drawing and was encouraged to create and develop her artistic ability in whatever way she saw fit. Mary believes that since she was self-taught it was easier to stay true to her vision. Never having anyone trying to shape her talent, left her wide open to explore.

“Because I didn’t go to art school, I didn’t have any influences except the beautifully illustrated fairytale books that belonged to my mother and grandmother. I poured over them and taught myself to draw by copying their pages. The way I draw now was influenced by those books. There was often a quote under the pictures to explain what it illustrated in the story. That’s where I got the idea to incorporate quotations into my drawings. Because I was the only one doing that at the time, it set my work apart. It wasn’t my mission to get noticed or anything. It just worked out that way. My goal was to create images that expressed myself.”

“So I just went on my merry way and produced the kind of art I wanted to see.” –Mary Engelbreit

After Mary graduated from high school, she immediately moved into her career as an artist. She worked at an art supply store, a newspaper and an advertising agency. While trying to get freelance work from another ad agency, the art director told her she had to settle on a single style to attract clients. Mary immediately knew she didn’t want to work in advertising, “I tossed his advice aside and kept on going.”

At 22, she met her future husband, Phil Delano. They were married three years later. Even in the early stages of Mary’s career, Phil recognized her talent. He saw how people reacted to her art and was certain it was going someplace. Mary counts her lucky stars that he came into her life, “He always believed in me and encouraged me to keep at it. Even when we were broke.” In 1986, they formed their own licensing company, Mary Engelbreit Studios.

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The knight in shining armor is based on Mary’s  husband, Phil Delano.

Up until 2000, it looked like Mary Engelbreit was leading a charmed life. On June 21st of that year, everything changed. Their 19-year-old son Evan was killed from a gunshot wound. The details are blurry as to whether it was self-inflicted or murder. After almost 20 years, Mary is still recovering from that loss. She believes it shifted her focus to what’s really important in life. She and Phil adopted Evan’s child after he died. Mikayla was only three months old at the time. Mary credits her granddaughter for helping their family to move forward after Evan’s death, “She basically saved our lives.”

After her son died, Mary found herself shifting artistically. She explains it like this, “I was always open to what came my way as an inspiration for my art. That loss opened a door that nobody wants to open. But there it is, and I had to deal with it. I’m lucky to have this artistic outlet to express my feelings. I don’t know what I would have done without it. I’ve felt that all my life, even for small things and for fun things. It’s really important to get your emotions outside of yourself so you can move on.”  

Prior to Evan’s death, Mary was a quiet activist. She created drawings about subjects that mattered to her but nothing too controversial. In 2014, that all changed when she made a drawing titled, No One Teach protesting gun violence and posted it on Facebook. Her illustration was inspired by her outrage over the police killing of teenager, Michael Brown, in Ferguson, Missouri. To Mary, the shooting death of Michael felt personal. Her heart broke for his mother and the community.

Speaking her truth, created a backlash Mary wasn’t prepared for. She confided that when she put No One Teach on Facebook, “Some people responded to it by posting ugly, ugly things.” She has come to terms with that though. She may have lost some followers, but in the end, they were replaced by others who support her views. Today Mary continues onward and upward with her activism. She will not stay silent so others can remain comfortable. And without a backward glance, she goes on her “Mary” way. 

In the USA

Click to purchase print.

*Prints of No One Teach can be purchased on Mary’s website. 50% of the proceeds go to the American Civil Liberties Union.

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*Coming up next: Profile of #1 New York Times best-selling author, Pam Grout

Text and images © Sue Shanahan. All rights reserved. www.sueshanahan.com

*Click  to sign up for my newsletter and receive a free 5 X 7 print!

Rodney Crowell: Playing to the A Student

Rodney Crowell-red line-2moth_edited-2“If I could influence someone’s description of me I would say, ‘he was curious and he was humble. And somewhere way back in his emotional mindset he was very self-assured.’” – Rodney Crowell

Rodney Crowell grew up in Texas. His childhood was a hardscrabble one. It didn’t hit him until years later that he had been traumatized by it. His father was a hardcore alcoholic who wasn’t opposed to hitting his mother on occasion. Rodney carried that shame with him long into his adulthood.

His mother was epileptic and belonged to a fanatical, Pentecostal church. Rodney was shaken to his core after witnessing church members shouting at her, while having a seizure, to spit out the Devil. Despite having no use for organized religion of any kind he considers himself a spiritual person. “I’ve always had faith. I’ve never been without it. Ever.”

Rodney began playing drums in bars for his dad’s band when he was 11. His parents neither encouraged nor discouraged their only child’s musical aspirations. At 15, Rodney left home to join a rock and roll band. His dad and mom waved goodbye at the door. He doesn’t even remember if they said, “good luck.”

When he moved out, it didn’t occur to Rodney that playing in a band wasn’t a practical way to make a living. “I never considered anything else and I think for that very reason I’ve had a career that’s lasted. I’ve paid the bills making music since I was fifteen. Music was the catnip. And I was one of those cartoon cats that was just floating through the air following the sound. I’ve been pulled along since day one, really.”

These days Rodney is known primarily for his work as a grammy award winning country music singer/songwriter. His compositions have been recorded by Keith Urban, Bob Seger, The Oak Ridge Boys, Waylon Jennings, Emmylou Harris, and Johnny Cash. His acclaimed memoir, Chinaberry Sidewalks, is a continuation of the door he opened into his childhood in his semi-autobiographical album, The Houston Kid. He has continued to weave the narrative of his life throughout the albums he’s made since then.

By the time Rodney was 22, he had made his way to Nashville. He had fallen in with group of songwriters who mentored each other through the learning process. At the helm of them was Guy Clark. He gave Rodney a book of poet, Dylan Thomas’s to study. He wanted to make clear what they were doing was creating art. Rodney poured over it. For the first time in his life, he came to the conclusion that songwriting wasn’t something you just do to make money. Being an artist was about sharing your deeper self.

Around 1998, the stardom Rodney longed for began to materialize. At the time, he was married to singer/songwriter Rosanne Cash, daughter of Johnny Cash. They were raising Rodney’s daughter from his first marriage and three of their own girls. That same year his album, Diamonds and Dirt yielded five consecutive No.1 singles. It looked like Rodney had hit the big time. Blinded by churning out music for the masses, he had lost sight of the artist he envisioned himself being in his early twenties. Rodney felt like he had fallen into mediocrity. The celebrity he counted on making him happy had become a detriment to his psyche. “In my youth I craved fame because I was a young man unfulfilled. I was trying to fix the holes in my soul that were there from childhood.”

With the realization that he had lost his way, Rodney shifted gears and self-financed his album Houston Kid. It was risky. He made it with the cash he had on hand, even bouncing a couple of checks in the process.“I had to fund that record on my own because I wanted to make the exact music I wanted to make. When I was doing something on someone else’s dime I was inclined to try to anticipate what they wanted. I knew that wasn’t what an artist was supposed to do. In funding my own music, I found my voice.” Eleven albums later he has never veered from that path.

No longer chasing fame, Rodney’s focus is on a career with longevity. “As T-Bone Burnett said to me a long time ago, ‘Oh Rodney, I get it. You don’t want to be rich. You play to the A student.’ He was being funny and sarcastic, but if you’re going to follow your own heart, you have to be prepared to have a small following because it’s singular sensibility as opposed to board stroke sensibility.”

Rodney has learned much over the 50 odd years he has been in the music business. One thing is for certain, he no longer allows fear to dictate his actions. “I remember forming the mindset that if I was afraid of something, I would do it. As a matter of a fact, I made Houston Kid  because I was afraid to expose a lot of material in that. I was afraid to write about my father being an abuser of women…so I did it. And it transformed the way I go about doing things. Maybe for awhile I was too revealing. But maybe not.”

Looking back Rodney is at peace with his childhood. In fact, he says he wouldn’t change a thing about it. It’s the trajectory that brought him to where he is today. His faith in God has taken a real departure from the perimeters his mother gave him. “For one thing I wouldn’t call it a him. It’s male and female. It’s beyond gender. It’s singular. It’s mainly love and supreme intelligence. It’s an internal thing that’s outwardly expressed. And I think if that particular discussion even comes close to the coffee table it’s missing the point.”

Today Rodney still follows his heart.  It is something that spills over into all areas of his life. He acknowledges his parents did the best they could with what they had. What they weren’t capable of giving him Rodney made sure he gave to his daughters. He owns that he’s done right by them, “I’m a good dad, that’s for sure.”

As far as Rodney can tell they are all following their dreams. “Of course they are. I raised them that way. My girls grew up with the example of following your heart or muse right in front of them, sometimes frustratingly so. Sometimes it was hard for them to get my attention because my head was elsewhere. But they understood although my head may have been elsewhere, my heart never was.”

“I’ll bet that when you’re dying, you’re not going to think about the money you made. You’re going to think about your art.” – Guy Clark

On the cusp of his 70th decade Rodney has an unwavering faith that he’s doing exactly what he was put on Earth to do. He is a man whose talents are fully realized. That is no accident. The resolve to be true to himself has brought him to that place.”I don’t think I can create anything of lasting value unless it comes from the heart. I’ve had this knowing all along. Even when I lost a handle on how to do it..”

Rodney Crowell has come to terms with his days on Earth being numbered. That awareness makes time precious. He no longer puts off being with the people he loves. And when he’s not doing that he’s making art.

**************************************************************************************In 2019 Rodney was awarded the Academy of Country Music’s Poet’s Award

*Rodney’s 21st album, Texas, came out on Aug. 15, 2019 *************************************************************************************

*Coming up next: Profile of artist, Mary Engelbreit

Text and images © Sue Shanahan. All rights reserved. www.sueshanahan.com

*Click  to sign up for my newsletter and receive a free 5 X 7 print!

 

Hope Lives in Books

Bookworm

There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book. –Marcel Proust

The drawing above is one of my favorites. It illustrates a scene from a children’s book my sister Laura wrote about author, Lillian Hellman. In her memoir, An Unfinished Woman, Lilly tells of how at age eight she would ditch school unnoticed and hideout in a fig tree next to her home. She rigged a pulley rope for her lunch basket, and made a sling to hold her schoolbooks. To keep her dress and shoes neat she hung them on a nail. It would never do to raise suspicion of her whereabouts. The finishing touch was a comfortable pillow to sink into. She did this once or twice a week. It was here that Lilly learned to read and found refuge from the adults in her life. The fig tree was her sanctuary where she fell into the holy, wonder of the written word.

“A book, too, can be a star, a living fire to lighten the darkness, leading out into the expanding universe.” — Madeleine L’Engle

My sister and I loved that anecdote about Lilly. Being avid readers and tree-climbers in our youth, we understood the haven she had created in those branches. It was her way of having power in a world where she was powerless.

As girls books gave us that same kind of comfort. We not only read to be entertained but unknowingly used it to work out the anguish we lived with. Books were one of the bright spots in a bleak childhood. Our mother didn’t have what it took nurture us. She was a product of the societal expectations of the 1950’s. After marrying our father, she quit the job she loved as a newspaper society editor when she became pregnant. She had a child every year for the next four years. Frustrated and ill-equipped to run a household, she directed her rage at us. She was a dead ringer for the wicked queen in the copy of Snow White she had given me. It became a favorite story of mine and I absorbed its message. In its pages lived the hope that despite being under the thumb of an evil queen, there was still room for a happy ending.

Whenever you read a good book, somewhere in the world a door opens to allow in more light. –Vera Nazarian

My mom passed away ten years ago. Today I look at her with kinder eyes. I’m certain she did the best she could with what she had. Although there were many things she was not, she did share her passion for reading with us. She was generous with books. And despite being trapped in a life of anguish, I think she now smiles with the knowledge of what she left behind. Inside the books she gave us were placed the keys to freedom.

My Dad and Mom walking over the threshold of high expectations on their wedding day.

My Dad and Mom walking over the threshold of high expectations on their wedding day in 1953.

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Text and images © Sue Shanahan. All rights reserved. www.sueshanahan.com

 

Giving the World Back a Portion of its Lost Heart

“…in a time lacking in truth and certainty and filled with anguish and despair, no woman should be shame-faced in attempting to give back to the world, through her work, a portion of its lost heart.” – Louise Bogan

Glory in the Morning (cover art)

Today is a big day for me. Huge. This morning I launched a campaign on the crowd funding site Kickstarter. I’m trying to raise funds for my picture book, Glory in the Morning, to be made into a book app and a traditional book. For those of you who don’t know me personally, I am putting my heart on the line. Asking for monetary support feels like jumping off a cliff to me. But the risk of failure has been trumped by the urgency of sharing my gift with the world.

Glory in the Morning is a classic fairytale in the tradition of the Wizard of Oz. It’s message is about empowering children to listen to the still small voice within. I trusted that whisper as a child but soon learned from the adults in my world to disregard it. This happened so often I became disconnected from my own thoughts and feelings and went to the outside to see how I “should” respond to situations. I ignored my inner guidance on a daily basis. That led to a lack of sense of self, and not believing how I felt was important.

It took me years to give myself permission to trust my instincts again. I’ve learned that we don’t only see with our eyes but with our minds and our hearts. When I began to filter out the noise of the world and listen to my heart, life became so much easier. I came to know that it’s not only safe to act on my intuition, but it also saves a lot of time and trouble. This knowledge was the springboard for self-trust, and the understanding that who I was mattered. Living our inner truth is the foundation for a happy life. Without trusting our inner guidance, we have little hope of fulfilling our dreams.

How wonderful would it be to know from an early age that our intuition is a gift to help us navigate through life? My picture book Glory in the Morning holds that truth.

”If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent read them more fairy tales.” – Albert Einstein

Watching Over Glory

Watching Over Glory

My models Lexi and Olivia helped bring Glory in the Morning to life.